Point Of Books The Woman in White
| Title | : | The Woman in White |
| Author | : | Wilkie Collins |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 672 pages |
| Published | : | February 27th 2003 by Penguin Classics (first published November 26th 1859) |
| Categories | : | History. Politics. Nonfiction. Philosophy. Classics. North American Hi.... American History |
Wilkie Collins
Paperback | Pages: 672 pages Rating: 4 | 123812 Users | 7141 Reviews
Description During Books The Woman in White
'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.
Specify Books Concering The Woman in White
| Original Title: | The Woman in White |
| ISBN: | 0141439610 (ISBN13: 9780141439617) |
| Edition Language: | English |
| Characters: | Walter Hartright, Marian Halcombe, Anne Catherick, Sir Percival Glyde, Count Fosco, Frederick Fairlie, Laura Fairlie, Madame Fosco, Mr. Gilmore |
| Setting: | Cumberland, England London, England Hampshire, England …more England United Kingdom …less |
| Literary Awards: | Audie Award for Classic (2011) |
Rating Of Books The Woman in White
Ratings: 4 From 123812 Users | 7141 ReviewsCommentary Of Books The Woman in White
The Woman in White promises so much and delivers very little.The first hundred pages of the book are gripping and intense. Wilkie Collins begins with an atmospheric mystery that is exciting and almost haunting. I really wanted to know all the secrets the story had to offer. So even when the book began to grow a little dull around the middle I carried on reading because I hoped that the dryness would be worth it, my patience was bound to be rewarded. (I was so terribly mistaken.) The big revealThe only real flaw in this densely plotted page-turner of a novel is that in the end it slightly disappoints because it promises more than it delivers. It makes the reader fall in love with its plain but resourceful heroine Marian Halcombe, and teases us with the delightful prospect that she will become the principal agent bringing the villains to justice. When, in the middle of the novel, Marian tells her half-sister Laura that "our endurance must end, and our resistance begin," it seems like a
The only real flaw in this densely plotted page-turner of a novel is that in the end it slightly disappoints because it promises more than it delivers. It makes the reader fall in love with its plain but resourceful heroine Marian Halcombe, and teases us with the delightful prospect that she will become the principal agent bringing the villains to justice. When, in the middle of the novel, Marian tells her half-sister Laura that "our endurance must end, and our resistance begin," it seems like a
"I am thinking," he remarked quietly, "whether I shall add to the disorder in this room by scattering your brains about the fireplace."Written in 1859-60 by William "Wilkie" Collins and originally published in serial form in Charles Dickens' magazine (Wilkie and Charles were good friends), The Woman in White is considered one of the earliest examples of detective fiction, though it's really just the better part of the second half of this book that has any real detecting going on. Before that you
I've never liked the term "butterface." I don't object to the objectification; I just don't like the sound of it. Nonetheless, it unavoidably popped into my head at my introduction from behind to Miss Halcombe, as Collins allows Hartright to ogle "the rare beauty of her form...[and] her waist, perfection to the eyes of a man, for it occupied its natural place...visibly and delightfully undeformed by stays*," before she turns and he's horrified by the revelation that "The lady is ugly!" (I.6)
Walter Hartright a struggling drawing teacher, is walking at midnight back to Victorian London after visiting his widowed mother and sister at their cottage, in the suburbs to say goodbye, a quiet trip nobody around, the road empty everything's still, not even the leaves on the trees flicker in the blackness, nothing only his moving steps are heard, thinking about a lucrative job in a faraway county of England, that he reluctantly took ( he has a bad feeling about) because his friend Professor
The Woman in White is an extraordinary book. It captivated the reading public of the time, and in parts is almost as breathlessly mesmerising and gripping to read now. Wilkie Collins professed the old-fashioned idea, that the primary object of a work of fiction should be to tell a story, and what a story he has given us here! Any list of the greatest novels of all time will probably feature this one. When it was first published, it wowed the reading public, and manufacturers got on the
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