Describe Books During Oscar and Lucinda
| Original Title: | Oscar and Lucinda |
| ISBN: | 0702229784 (ISBN13: 9780702229787) |
| Edition Language: | English |
| Characters: | Oscar Hopkins, Lucinda Leplastrier, Reverend Dennis Hasset, Hugh Stratton |
| Setting: | Sydney, New South Wales(Australia) England |
| Literary Awards: | Booker Prize (1988), Miles Franklin Literary Award (1989), National Book Council Banjo Award for Fiction (1989), Colin Roderick Award (1988), The Best of the Booker Nominee (2008) |
Peter Carey
Paperback | Pages: 515 pages Rating: 3.73 | 19182 Users | 876 Reviews
Representaion As Books Oscar and Lucinda
Peter Carey's Booker Prize winning novel imagines Australia's youth, before its dynamic passions became dangerous habits. It is also a startling and unusual love story. Oscar is a young English clergyman who has broken with his past and developed a disturbing talent for gambling. A country girl of singular ambition, Lucinda moves to Sydney, driven by dreams of self-reliance and the building of an industrial Utopia. Together this unlikely pair create and are created by the spectacle of mid-nineteenth century Australia. Peter Carey's visionary brilliance, and his capacity to delight and surprise, propel this story to its stunning conclusion.
Mention Out Of Books Oscar and Lucinda
| Title | : | Oscar and Lucinda |
| Author | : | Peter Carey |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 515 pages |
| Published | : | January 29th 1998 by University of Queensland Press (first published 1988) |
| Categories | : | Fiction. Historical. Historical Fiction. Cultural. Australia |
Rating Out Of Books Oscar and Lucinda
Ratings: 3.73 From 19182 Users | 876 ReviewsEvaluate Out Of Books Oscar and Lucinda
Writing long books is a laborious and impoverishing act of foolishness: expanding in five hundred pages an idea that could be perfectly explained in a few minutes" Jorge Luis BorgesSo the writer who breeds more words than he needs, is making a chore for the reader who reads. Dr. SeussWhat a pity. There hasn't been a book that has annoyed me as much as this one. I can't take this prose style anymore. It talks about 2 "outcasts", I couldn't find a plausible reason other than their own assumptionstechnicolor and wide-screen in scale and spectacle, quirky and consistently surprising in characterization and incident. virtually a catalog of bizarre imagery, you-are-there historical detail, and way-off-center characters. so many beautiful sequences linger on in the mind, so many wonderful characters, such a surprising lightness of tone, such gorgeous prose... it all almost, but not quite, causes the reader to forget the bleakness at this novel's core. strange, compassionate and, finally,
Well, I can see why Peter Carey has been compared to a contemporary Charles Dickens. His characters and the world he creates have a similar eccentricity and inventiveness and energy. Oscars childhood is a sheer delight to read. Hes the son of an overbearing fire and brimstone preacher and marine biologist and there are some memorable images of the two of them on beaches searching for fossils in rock pools. When his wife dies, Oscars father takes all her clothes and throw them in the sea. As a
I can understand why Peter Carey is not for everyone. His novels tend to move slowly with a focus on subtlety. I find his work to be, much like the sentences he composes, charming. In "Oscar and Lucinda" we find subdued humor and understated actions that possess significant implications. Some might find this quiet approach boring, but I have a soft spot for novels that don't like to reveal too much at a time. In this particular novel, Carey does a masterful job of portraying the awkwardness of
For the past few years, I've thought about endings a lot. I've excused a lot of novels (esp contemporary ones) for bad or unsatisfying endings. Some novels end in a way that goes against all you've learned from the novel; others just... stop. Then there are the "conservative" endings of Victorian novels that many scholars complain "shut down" or tidy the "subversive" or threatening ideas raised in the novel. Lately I've found myself arguing against this complaint, because even if a novel ends
Brilliant. Gutwrenching. Carey's writes with such precision, with such narrative control. He seamlessly folds more and more people into the narrative, expanding the worlds in which O and L live. And Oscar and Lucinda, such beautifully rendered misfits. It wasn't easy to follow their lives, but it was riveting.
I am declaring myself FINIS! but only because I'm horribly bored and can't take it any more.
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